Oh man, I used to LOVE Amelia Bedelia.

Oh man, I used to LOVE Amelia Bedelia.

(via teachingliteracy)

A bookplate for Georgie Evelyn Cave Gaskin. Arthur Gaskin, from The yellow book vol. 9, London, Boston, April 1896. Via oldbookillustrations.
(Source archive.org.)

A bookplate for Georgie Evelyn Cave Gaskin. Arthur Gaskin, from The yellow book vol. 9, London, Boston, April 1896. Via oldbookillustrations.

(Source archive.org.)

Percy Dearmer, front cover from The yellow book vol. 9, London, Boston, April 1896.
Via oldbookillustrations.
(Source archive.org.)

Percy Dearmer, front cover from The yellow book vol. 9, London, Boston, April 1896.

Via oldbookillustrations.

(Source archive.org.)

The Smile Analyzer - offensive vintage game. Creepy.
Via iconoclassic:

(via christian northeast - journal - New York Times_Science front page)

The Smile Analyzer - offensive vintage game. Creepy.

Via iconoclassic:

(via christian northeast - journal - New York Times_Science front page)

“Read a Book” - illustration from Rabbit Portal.
Via teachingliteracy:

Read a book (by rabbit_portal)

“Read a Book” - illustration from Rabbit Portal.

Via teachingliteracy:

Read a book (by rabbit_portal)

McBess illustration, via Grain Edit:

The work of McBess has been a source of illustrated inspiration for many new artists over the course of his half-decade-long career. A signature part of style that sets him apart with his natural ability to bring out shadows and highlights predominantly using thin tipped felt pens, a very big feat when working monochromatically. I love the use of lettering to give his illustrations more context, and the flowing, style gives another layer to already unique and intricate pieces.

McBess illustration, via Grain Edit:

The work of McBess has been a source of illustrated inspiration for many new artists over the course of his half-decade-long career. A signature part of style that sets him apart with his natural ability to bring out shadows and highlights predominantly using thin tipped felt pens, a very big feat when working monochromatically. I love the use of lettering to give his illustrations more context, and the flowing, style gives another layer to already unique and intricate pieces.

From the same old sketchbook: an illuminated “I” initial in color pencil

From the same old sketchbook: an illuminated “I” initial in color pencil

From one of my old sketchbooks: Floral vine border illustration, inspired by those of the Heures de Beaufort from the early 15th century.

From one of my old sketchbooks: Floral vine border illustration, inspired by those of the Heures de Beaufort from the early 15th century.

Vintage ad for Duralex, via My Vintage Avenue. From my blog post HERE.

Vintage ad for Duralex, via My Vintage Avenue. From my blog post HERE.

iconoclassic:

(via Nice Day for a Walk Print | Flickr – Condivisione di foto!)
mudwerks:

Käseetiketten_69 (by micky the pixel)
freakyfauna:

Black and White. By Alexander Girard for Herman Miller, 1971.
Found here.

freakyfauna:

Black and White.
By Alexander Girard for Herman Miller, 1971.

Found here.

cartolleria:

fer1972:Poster design by Shujiro Shimomura, 1928 [+] 

cartolleria:

fer1972:Poster design by Shujiro Shimomura, 1928 [+]